{"id":551,"date":"2026-08-08T08:25:24","date_gmt":"2026-08-08T08:25:24","guid":{"rendered":"https:\/\/phd-in-art.uni-ak.ac.at\/?page_id=551"},"modified":"2026-08-08T08:38:44","modified_gmt":"2026-08-08T08:38:44","slug":"xenopoetic-de-compositions-the-affect-body-as-interface","status":"publish","type":"page","link":"https:\/\/phd-in-art.uni-ak.ac.at\/?page_id=551","title":{"rendered":"Xenopoetic De\/Compositions: The Affect-Body as Interface"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><em>Johanna Bruckner<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Year<br><\/strong>2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Supervisor<br><\/strong>Jakob Lena Knebl<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-7-1024x576.png\" alt=\"\" class=\"wp-image-552\" srcset=\"https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-7-1024x576.png 1024w, https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-7-300x169.png 300w, https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-7-768x432.png 768w, https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-7-1536x864.png 1536w, https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-7.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Photo Credit<\/strong> <em>Along Tissue, a Leap, Passing, 4K Videoinstallation, Still, 2022, Johanna Bruckner<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In my planned dissertation Xenopoetic Compositions: The Affect-Body as Interface I am interested in the interface between the body, affect and the prosthetic image. Embedded in the discourse around Xenofeminism, Agential Realism and the New Materialisms, the interface is a conceptual analytical tool to critically analyse the interaction between the body and algorithmic systems marked by processes of alienation. The xenopoetic is a term for capturing the inter- and transactions of human bodies with their technologies; an aesthetic articulation, which manifests itself performatively in affects, the porosity of bodily boundaries and the prosthetics of the body associated with this.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Within this framework, my proposal delves into the deconstructive and corporeal nature of interfaces, particularly against the backdrop of postdigital and queer-feminist conceptions of affect and the body, and a critical analysis of the biopower intertwined with them. The potential xenopoetic forms of care inherent in the performativity of the affective technology (exemplified through the interface of net-porn, for example) that emerges in my practical-discursive work are central to a societal understanding of postdigital performance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johanna Bruckner Year2022 SupervisorJakob Lena Knebl In my planned dissertation Xenopoetic Compositions: The Affect-Body as Interface I am interested in the interface between the body, affect and the prosthetic image. Embedded in the discourse around Xenofeminism, Agential Realism and the New Materialisms, the interface is a conceptual analytical tool to critically analyse the interaction between [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-551","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=551"}],"version-history":[{"count":1,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/551\/revisions"}],"predecessor-version":[{"id":553,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/551\/revisions\/553"}],"up":[{"embeddable":true,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}