{"id":622,"date":"2026-08-08T09:02:47","date_gmt":"2026-08-08T09:02:47","guid":{"rendered":"https:\/\/phd-in-art.uni-ak.ac.at\/?page_id=622"},"modified":"2026-08-08T09:50:50","modified_gmt":"2026-08-08T09:50:50","slug":"thou-shalt-not-speak-the-voice-over-and-the-exclusion-of-the-world","status":"publish","type":"page","link":"https:\/\/phd-in-art.uni-ak.ac.at\/?page_id=622","title":{"rendered":"Thou Shalt Not Speak \u2013 The voice-over and the exclusion of the world"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><em>Erik B\u00fcnger<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Year<br><\/strong>2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Supervisor<br><\/strong>Jan Svenungsson<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"668\" src=\"https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-22.png\" alt=\"\" class=\"wp-image-623\" srcset=\"https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-22.png 1024w, https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-22-300x196.png 300w, https:\/\/phd-in-art.uni-ak.ac.at\/wp-content\/uploads\/2026\/08\/grafik-22-768x501.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Photo Credit<\/strong> <em>Bartosz G\u00f3rka<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This artistic research project focuses on the voice-over as an instrument of domination, and envisions an artistic practice, whose aim it is to use this instrument against itself. The term \u201avoice-over\u2018 here, takes on a meaning, which is broader and simultaneously more narrow than the ordinary sense of the word. It refers \u2013 not to off-screen or off-stage commentary \u2013 but to a specific arrangement of the relationship between voice, audience and world: the power of one singular voice to take over and control the perceptions of an audience. This arrangement is epitomized by the disembodied voice-overs of actors and TV-anchors, whose words control the audience\u2019s perception of the action on screen. But it may, just as well, be observed in the embodied voice-over of a lecturer, who commands the auditorium\u2019s perception of a presentation screen and, in extension, its perception of the world outside the frame of that screen. A key premise of my research is that the voice-over does not exercise its power by giving voice to the world it addresses, but by taking voice away. By speaking of the world, the voice-over commands the world to silence. The research will be carried out through the production of a series of lecture performances and videos, that employ voice-over selfreflectively, in order to bring this exclusion of the world to the very center of attention. But more than just laying bare the mechanisms of this power, I want to explore the possibility of introducing a short-circuit into the system. If the voice-over addresses what it simultaneously excludes, then it incorporates into its own linguistic system something that, in the last analysis, resists language. Is it possible to make this resistance into an internal obstacle by which the voice-over itself is blocked?<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Erik B\u00fcnger Year2019 SupervisorJan Svenungsson This artistic research project focuses on the voice-over as an instrument of domination, and envisions an artistic practice, whose aim it is to use this instrument against itself. The term \u201avoice-over\u2018 here, takes on a meaning, which is broader and simultaneously more narrow than the ordinary sense of the word. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-622","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=622"}],"version-history":[{"count":1,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/622\/revisions"}],"predecessor-version":[{"id":624,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/622\/revisions\/624"}],"up":[{"embeddable":true,"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/phd-in-art.uni-ak.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}